Check This Out: Cat Doorman Songbook – Cat Doorman

CatDoormancover1-500x500Cat Doorman, the alter-ego of Julianna Bright, is the latest shining star to enter the world of kindie music. From Portland, Oregon, Bright recently released Cat Doorman Songbook. The album contains 14 impressive tracks (12 originals) offering thoughtful lyrics and a gamut of musical styles and accompaniment by performers such as Chris Funk (Decemberists), Seth Lorinczi (Corin Tucker Band), Garth Klippert (Old Light), Nick Reddel (Golden Bears), Annalisa Tornfelt (Black Prairie) and Ralf Youtz (Built to Spill).

While the Cat Doorman Songbook is Bright’s debut into the children’s music arena, the bulk of the album could very well hold its own in the adult indie world, which is not surprising as Bright has experience with indie successes such as The Quails and her current adult band, The Golden Bears.

Bright is also a talented visual artist, which is made evident throughout the album’s “songbook” as her colorful drawings and funky fonts add charm to its pages.

There is so much depth to this album, it’s incredible. To start, Bright has an undeniably beautiful voice which soars and expands with great control. The songs on the album are melodic and smart, containing sophisticated lyrics which were no doubt inspired by Bright’s educational background in English literature, but also by her wonderfully creative mind as an artist. For example, Bright takes a literary approach to the traditional alphabet song in “So Many Words” as she introduces fun words like “Bandicoot,” “Hemlock” and “Katydid.” There are, however, some familiar words mixed in like “Allosaurus,” for the dinosaur loving fans, as well as, “Archipelago,” “Glacier” and “Nocturnal.” Even if these words are not familiar to little ears, they are fun to say and offer a perfect opportunity for learning.

Other familiar songs include a rendition of Syd Barrett’s “Effervescing Elephant” and Bright’s fetching take on “Little Red Wagon,” which was released with an iPad app of the same name (produced in collaboration with Night & Day Studios).

While I appreciate the songs my 4 year old can sing along to, it’s the complexity of the other songs that I enjoy the most, mainly because of the eloquence with which the words are sung and the deeper meaning of the messages they convey. It’s as if some songs on the album are speaking back to a childhood version of Bright while others celebrate the delight she experiences as a parent.

“Two Old Shoes,” a gorgeously arranged song with some wonderful brass accents, is all about being yourself, accepting who you are and finding the beauty in things that are unpolished, despite the expectations of the world. “Lonely Girl” is a message of self-empowerment with a gentle reminder that we are capable of breaking free from the insecurities that keep us from moving towards greater things.

“With Linked Arms,” is a haunting ballad that moves at a saunter while Bright’s voice reinforces devotion and the promise of companionship. “Whistling Song,” reminiscent of Norah Jones in “Come Away With Me,” is a sentimental jaunt that encapsulates the bliss of sharing an afternoon with your little loved one. “Inspiration” is a dreamy reflection of the feelings associated with having your first child while “Let’s Get Dressed Up,” celebrates the fanciful delight in wearing grown-up clothes.

“Turn Around,” my absolute favorite song on the album, features Bright’s golden voice soaring over the following lyrics which reinforces the universal reach of this album. The last verse gives me chills every time I hear it.

The radio sounds a serenade that’s carrying us on.
Surely it is my song
Surely it is yours
Surely it was made just for us all at one and all at once
Surely it is my poem surely it is yours
Let the meter move us, turn us, take us up and ever make us new…

The Cat Doorman Songbook is a lovely gift for the entire family that is best enjoyed while easing into the morning, during lazy afternoons and winding down in the evenings. Julianna Bright delivers each song as though it is a poem and she does it with “all the grace of a flower.”

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Cat Doorman Songbook is available for digital download and purchase through the Cat Doorman official site, iTunes and Amazon. Make sure to check out Cat Doorman’s Little Red Wagon app, which features vibrant illustrations by Julianna Bright and is “both a musical songbook and delightful adventure game.” The app is currently only available for the iPad.

You can listen to clips from Cat Doorman Songbook via the SoundCloud widget below, as well as a video for “Inspiration,” which was inspired by the birth of Bright’s daughter.   The story & illustrations for the “Inspiration” video were made by Bright based on drawings by her daughter.

Read This: Loquat Rooftop picture book by Randy Kaplan

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Fans of Randy Kaplan can now enjoy a 32-page picture book transcription of the song, “Loquat Rooftop,” which is featured on Kaplan’s album of the same name.  Loquat Rooftop, Kaplan’s first picture book, is brought to life with beautiful illustrations by producer Mike West.

Through his music, Kaplan has historically captivated young listeners with creative storytelling and a brilliant sense of humor so it makes perfect sense that he is now expanding into print.  Although the book is a literal transcription of the song itself, the story is just as engaging on its own and makes for a fun read.

Loquat Rooftop offers an opportunity to provide your child with knowledge about a “mysterious fruit” while expanding their vocabulary.  If you are not already the owner of the album, Kaplan is offering a CD + book bundle so that you can play the song while your child follows along with the book!   Already own the CD?  Purchase the book by itself.

LRSamples from the album are available through CDBaby, along with other highly popular singles like “The Ladybug Without Spots” and “No Nothing,” a story about a pet Monkey who was raised by ducks.
You can view clips of Randy singing “No Nothing” live through my concert re-cap post from last September.

Check this Out: The Not-Its – KidQuake!

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The Not-Its are back with another musically sound and sonically charged album filled with raw, kinetic energy. As the name implies, KidQuake! contains properties that will invoke lots of sudden movement. In other words, get ready to body rock!

In addition to being a part of the wildly talented Kindiependent collective, The Not-Its are made up of veteran indie musicians (lead singer, Sarah Shannon was the former singer of 90’s Sub Pop band Velocity Girl), Danny Adamson (rhythm guitar), Tom Baisden (lead guitar), Jennie Helman (bass player) and Michael Welke (former drummer of Harvey Danger) who channel their rock/pop/punk sensibilities into making rockin’ kid tunes. They also happen to be experienced parents, with a total of 10 children amongst themselves, ranging from ages 2 through 9, which makes for highly relatable topics the whole family will enjoy!

Kicking off the album is the title track, “Kidquake!” a thunderous tune which gives meaning to the driving force behind the frenetic energy that emanates from little bodies. As the lyrics proclaim “we may be small but we are strong” and “there’s an energy/we gotta set it free/come on every boy and girl,” “KidQuake!” could very well be the new “kid power” anthem. Or perhaps a call for a kiddie flash mob?

Parents will get a kick out of “Temper Tantrum,” which pretty much speaks for itself and “Busy,” a ska jam that reaches out to parents, acknowledging that life can be hectic while offering the suggestion that sometimes we need to slow down. Resounding horns add a nice touch throughout the song and act as alarm clocks in the video.

The Not-Its encourage staying active with “Let’s Skateboard,” a song that lists out all kinds of skateboarding tricks, and “Walk or Ride,” a song that encourages taking in the beauty of Mother Nature by using our feet to get from place to place.

What Miss Em and I like to rock out to the most is “Tarantula Funeral,” in which The Not-Its so appropriately bid a righteous farewell to a beloved classroom pet. The song has an extremely catchy chorus with blending harmonies and smart lyrics. In fact, because of Bob the Tarantula’s biological misfortune, and the curious mind of my spider loving 4 year old, we were able to bond while learning some science.

“Operation Cooperation” is a motivational song with a good message about teamwork and getting along with new friends in school while “Participation Trophy” celebrates hard work and trying your best even if it means scoring for the other team or winning 27th place in chess club.

Listeners will also enjoy songs about games with songs like “Full Tilt,” which refers to pinball mastery and “Rock, Paper, Scissors,” a perfect theme song for the classic childhood game as the lyrics exclaim “One for the money/ Two for the show/ Three pumps to get ready/ You go now throw!”

Wrapping up the album is the endearing tune, “The Not-Its Love You,” a reassuring message of love and a reminder that The Not-Its’ produce music from the heart, while uplifting the spirits of their audience.

The Not-Its take their music and their image seriously and deliver on both. Between the colorful artworkJump1
by Grammy-nominated Invisible Creature (Target, Nike, Nickelodeon) and the ladies’ vibrant pink tutus, you can immediately guess that you are about to have some serious fun! KidQuake! is another success for The Not-Its and one that every family deserves to hear. It really just rocks! Highly recommended for ages 3 and up! Tutus suggested, but not required.

KidQuake! is available through The Not-Its store , as well as Amazon and iTunes.

You can also listen to clips from the album through the Bandcamp widget below.


Tarantula_High-ResBelow is a video for “Tarantula Funeral,” which was made by guitarist, Tom Baisden’s, elementary school class. In addition to being an awesome musician, Baisden is also an elementary school teacher for children with special needs.

[Video courtesy of The Not-Its via YouTube]

55th Grammy Nominees for “Best Children’s Album”

The 55th annual Grammy Awards are coming up and the representatives for “Best Children’s Album” are mighty fine indicators of just how much the Children’s Music genre has to offer. Below you will find a list of albums and other goodies from this year’s nominees.

So, take a listen and although you may not be able to vote per se, you can show your support by perhaps purchasing one or two (or more!) of your favorites.

radio jungle cover 12cmykThe Pop Ups – Radio Jungle

The second album from Brooklyn-based duo, The Pop Ups, Radio Jungle brings listeners on a musical adventure filled with dance beats, creative lyrics and educational topics. Listeners will explore constellations, a world created with a box of crayons, counting and even some puppets! The Pop Ups once again infuse their sense of humor and musical talent into a fun set of songs. So take a journey through the wilderness and listen to Radio Jungle through the SoundCloud widget below, along with a video for their wildly popular single, “Box of Crayons.” Radio Jungle is available for download and purchase through the BandCamp widget below, Amazon and iTunes.

“Box of Crayons” [Courtesy of YouTube]

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The Okee Dokee BrothersCan You Canoe?

Just as the subtext on the cover says, Can You Canoe? is “A Mississippi River Adventure Album.” Justin Lansing and Joe Mailander made their way down the Mississippi River in a canoe over the course of a month. During that time, they paddled their way from Minnesota to St. Louis, writing songs inspired by the beauty of the natural world around them. With songs about camaraderie, bullfrogs, mosquitos and camping under a blanket of stars, Can You Canoe perfectly illustrates the brothers’ journey down the river. In fact, it could very well prepare you for your own river odyssey, should you be so bold. You can learn more about the Okee Dokee Brothers at their official site, where you can also purchase a CD/DVD combo, which includes the 15-track album and a documentary of the making of the album. Below are a couple of videos, a trailer from the DVD and a widget containing a few audio samples from Can You Canoe?

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Bill HarleyHigh Dive

Bill Harley is a master storyteller and certainly no stranger to Grammy nominations, being a two-time Grammy award winner in his own right. And now he’s back with High Dive, a hilarious collection of stories and songs about childhood. Listeners will find Harley emotive, engaging and suspenseful as he spins tales about a maniacal goat, a field trip gone awry, and finding out that perhaps mom is actually right, sometimes. Especially relevant to this time of year is a Valentine’s Day story with inadvertently “monstrous” consequences. High Dive is a hoot that will capture the attention of both kids and adults alike. You can listen to samples and purchase the entire album at Harley’s official site.

JumpinJazz-Kids-CD-Front-CoverJumpin Jazz KidsA Swinging Jungle Tale

A Swinging Jungle Tale is a mix of stories and songs about the adventures of a girl named Claire and her stuffed animal friends. What is impressive about this album is the amount of work the creators put in to make it as interactive as possible. The story aims to incorporate listeners by encouraging them to use their imagination along with Claire, as she travels through the jungle (which also happens to be her Grandfather’s backyard) and meets imaginary friends. The album’s cover art is bright and colorful, while the soundtrack was inspired by world-renowned jazz artists, including the legendary Ella Fitzgerald and improvisational master, Thelonious Monk, to name a few. You can read more about Claire and the making of A Swinging Jungle Tale at the Jumpin Jazz Kids official site.

You can listen to A Swinging Jungle Tale through the widget below. The album and its accompanying storybook are available for purchase through the Jumpin Jazz Kids store, as well as, CDBaby.

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Elizabeth MitchellLittle Seed: Songs for Children by Woody Guthrie

Mitchell brings color and life to her re-imagined versions of Woody Guthrie’s earlier recordings. The songs covered on “Little Seed” stem from two of Woody Guthrie’s children’s albums, recorded in 1947, called “Songs to Grow on for Mother and Child” and “Nursery Days.” Like Guthrie, Mitchell is a folk frontrunner and icon in her own right, being the first female children’s artist signed to the Smithsonian Folkways label and certainly one of the most beloved. On Little Seed, Mitchell very easily glides through some complex tongue-twisting lyrics, which happen to remind me of a few Dr. Seuss books, making it even easier to follow along than some of the originals. Mitchell’s voice, as usual, is soothing and clear like a serene lake and refreshing like a cold glass of water on a hot day. You can read my full review of the album here. You can learn more about Little Seed at Mitchell’s official site and view a couple of videos from the album below. Little Seed is available for purchase through Mitchell’s online store, Amazon (CD or MP3) and iTunes.

“Sleep Eye” [Courtesy of YouTube]

“Grassy Grass Grass” [Courtesy of YouTube]

BENEFIT RELEASE: Neighbor to Neighbor – Various Artists

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Story Laurie McIntosh has been hard at work putting together a family music compilation and live concert to benefit the victims of Hurricane Sandy.

The story behind the making of Neighbor to Neighbor is quite touching. Shortly after the devastation wrought by Hurricane Sandy, Story Laurie and her family drove six hours from their home in Andes, NY, to Far Rockaway. Armed with baked goods, warm clothes, and stringed instruments, the McIntosh family was determined to bring relief to the displaced victims. Also joining Story Laurie on her relief trip was Brooklyn-based performer Amelia Robinson of the delightful Mil’s Trills.

Inspired by After The Flood, the 43-song charity download for Hurricane Irene relief, Story Laurie produced her own compilation to raise funds for Hurricane Sandy relief and recovery efforts. Kicking off the making of the compilation was “Squeezebox Bus,” an original song written by Story Laurie on her way back home.

Neighbor to Neighbor is a 16-song compilation of family music which is currently available for pre-order through BandCamp for just $15. The official release date is set for December 22nd.

By downloading the digital compilation, you will not only get to hear a fantastic set of songs but you will also receive a charming little download card that makes a perfect keepsake for your generous donation in support of Sandy relief efforts. Bonus: A beautiful .pdf booklet with liner notes is available once your download code is redeemed.

All net proceeds go to The Neighbor to Neighbor Fund for Hurricane Sandy Relief which aims to support Occupy Sandy relief efforts through the collaboration of the M-ARK Project. You can find out more about this effort at Story Laurie’s official site.

Additionally, the Bearsville Theater will be hosting a benefit concert this Saturday, December 22 from noon – 3pm featuring Story Laurie and Ira McIntosh, Uncle Rock, Ratboy Jr., Grenadilla and Special Guests. For tickets and more information regarding the event visit the Bearsville Theater’s event page.

Neighbor to Neighbor – Family Music For Sandy Relief

1 New is the New Old – Gustafer Yellowgold
2 Smiling – Grenadilla
3 The Night the Lights Went Out – Uncle Rock
4 Green Grass of Summer – Dog on Fleas
5 Row de Boat – Kim & Reggie Harris
6 Squeezebox Bus – Story Laurie & Ira McIntosh (New)
7 Solartopia – Pete Seeger, Dar Williams, David Bernz and The Rivertown Kids
8 It’s So Good – Key Wilde & Mr. Clarke
9 Cuida el Agua – Dan Zanes
10 Bull Frog – Professor Louie & The Crowmatix
11 Pretend Your Hand Is a Puppet – Ratboy Jr. (Newly released 12/16!)
12 It Really Isn’t Garbage – Danny Einbender
13 I Will Be Your Friend – Guy Davis
14 This Little Light of Mine – The Saints of Swing (Previously unreleased)
15 Under One Sky – Magpie
16 Sing Me the Story of Your Day – Tom Chapin (Previously unreleased version)

Theater review: Mark Foehringer’s Nutcracker Sweets

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Christmas is creeping up on us and while many of us are still thinking about gifts or checking last minute items off our list, there are still ways to savor the joys of the season. San Francisco has no shortage of seasonal theater and ballet productions for the young and old. And while all of these productions come highly recommended, oftentimes the length and complexity of the story may supersede the mental capacity of the even younger crowd; 5 and under, specifically. Until now…

Set inside San Francisco’s historic Fort Mason Center, sits the cozy Southside Theater proudly presenting Mark Foehringer Dance Project|SF’s fourth annual holiday production of Nutcracker Sweets.

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This year’s production marks the Company’s transition from the Children’s Creativity Museum to the Southside Theater until the Cowell Theater’s upcoming renovation is complete. The Southside Theater’s seating capactiy features 160 cushioned stadium style seats, making it easy for little bodies to get an unobstructed view of the stage.

Mark Foehringer’s Nutcracker Sweets, while intended for children of all ages, was developed with a special focus on capturing the attention of younger children (5 and under). With a runtime of just 50-minutes, Nutcracker Sweets highlights the most exciting parts of this beloved holiday classic featuring creative costumes, colorful set design and a live orchestra with musical direction by the multi-award winning Michael Morgan.

Nutcracker Sweets was made for the child in all of us,” said Mark Foehringer, artistic director of Mark Foehringer Dance Project|SF. “The production features storytelling, dance theater, ballet and a live music performance all in one.”

The fact that Foehringer incorporated multiple disciplines into the concept and choreography is what makes this particular adaptation so captivating. The dancers do such an excellent job of expressive movement that it feels as though you can hear what they are saying, even though the show is completely silent.

Nutcracker Sweets mainly revolves around the adventures that unfold throughout Clara’s dreams. Starting out in Herr Drosselmeyer’s toyshop, Scene 1 serves as a prelude to the manifestation of the Nutcracker soldier. Chaos and silliness abound as the Mouse King and Queen infiltrate the toyshop, romping with leaps and flips just before the Mouse King turns Drosselmeyer’s nephew into the Nutcracker doll. Emmy nominated costume designer, Richard Battle, designed a stunning headdress for the Nutcracker, giving the the soldier doll an almost human-like quality. With a swing of his cape, Drosselmeyer changes the life-sized Nutcracker into a miniature, wooden doll and brings it to his niece, Clara.

Scene 2 progresses with a smoke filled stage as Clara falls asleep. The dreamscape begins as the Mouse King and his army challenge the Nutcracker (and his toy soldier army) to a fight. As the battle unfolds, the Nutcracker is almost defeated until Clara rescues him by hitting the Mouse King on the head with her shoe. Swooping in, Drosselmeyer reappears, leading the couple into Candy Land.

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Candy Land’s scenic design, created by Peter Crompton, is perhaps the most interesting and colorful with its one-dimensional images of frosted confections and cherry topped ice cream sundaes. Scene 3 is the most dance intensive part of the production as Clara and the Nutcracker prince are presented with sweets of all sorts from the Sugar Plum Fairy. After a delightful party, everyone disappears as Clara’s dream fades.

Scene 4 picks up with Clara coming into Drosselmeyer’s toyshop where she is once again reunited with her Nutcracker Prince. This is the only part of the production where I felt like the story was a bit rushed, as though it was at risk of exceeding the 50 minute mark. Although, based on the aforementioned ages of the target audience, it’s likely that this observation went unnoticed. From my daughter’s standpoint, for example, things made perfect sense and ended quite happily.

Overall, I was entertained by the show and impressed by the thought that went into creating a special experience for the younger set. The choreography was expressive and moving, and the costumes were bright and inspiring. I took a peek around the audience from time to time to gauge their response and saw nothing but wide eyes and smiles.

Perhaps the most spectacular piece of the production was the characterization of Herr Drosselmeyer as a magician and the significant role he played in making the transitions seamless through the use of his cloak. Although the talented cast danced wonderfully and with vibrant smiles, it was the character of Herr Drosselemeyer that continually caught my eye. Using Drosselmeyer’s cape to move the show along in such a smooth way was a subtle but significant part of show that upheld the magic of the story. It was as if the cloak was a character all on its own, which is a hat tip to Mark Foehringer’s excellent direction and choreography.

As a bonus, the dancers made themselves available for a meet and greet afterwards which added to the excitement of the entire experience, especially since the Sugar Plum Fairy was more than happy to lend her wand for photo opportunities. This was the icing on the cake as many of the young theater-goers eagerly awaited their turn to snuggle next to their favorite character and smile for the camera. In fact, I was instructed several times, by my daughter, to make sure I got a picture of her with her favorite dancers, which is profound because getting her to pose and smile for the camera at the same time is akin to asking her if I can brush her hair.

For parents looking to introduce this beloved tale to their little ones, Mark Foehringer’s Nutcracker Sweets is a great way to go. It upholds the charm and fantasy of the classic tale while captivating the hearts and minds of the young and young at heart.

The final two performances will take place on the following days. Location, pricing and box office information can also be found below, as well as a video preview.

Dec 22 Sat 11 am, 2 pm and 4 pm
Dec 23 Sun 11 am and 2 pm

WHERE: Southside Theater (Landmark Building D, 3rd Floor) at Fort Mason Center, Marina Blvd. and Buchanan Street, San Francisco

TICKETS: $25 general admission http://www.fortmason.org/boxoffice

Check This Out: Justin Roberts – Lullaby

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Justin Roberts, multi-award winner and Grammy nominee for his 2010 album Jungle Gym, is most widely known for his power pop sounds and rockin’ family concerts. With his latest release, Lullaby, Roberts moves in a new direction by putting together an original collection of ballads that will melt your heart.  Between the accompaniment of the Chicago Symphony Orchestra and hushed tones of Roberts’ voice, the sounds are divine. Roberts composed and arranged the songs himself while his producer, Liam Davis, added the finishing touches to give the album a 70’s soft rock vibe.  Lullaby also features backup vocalists from the Chicago production of the musical Hairspray, as well as other members of the Not Ready For Naptime Players.

Throughout the album Roberts conjures up vivid images as he strings words and phrases together in a masterful way.  With songs like the guided meditation of “Count Them As They Go,” Roberts taps into our imaginations by inviting us to envision a picturesque landscape while also encouraging us to let all our worries of the day just slip away.  In the Paul Simon inspired “Nothing On You,” Roberts transforms the sounds of the pouring rain into a perfect sounding symphony “…as it strikes the sidewalk with its exquisite small talk” and later likens a flock of geese to “fleeting notes and rests that stretch across the sky.”

Then there is delicate the sound of the pizzicato cello as it tiptoes its way through “Heart of Gold,” a song which I play so much that it’s almost unfair to the rest of the album.  A similar arrangement, accented by triumphant horns, bounces its way through the comforting “Polar Bear,” a song that expresses encouragement and devotion as Roberts provides the security blanket reassurance of “if you’re in trouble please know that I’m there/but don’t forget that I’m your Polar Bear.”

As the album winds down, we are treated to “Wild One,” which never fails to make me shed a tear or two as it touches upon the fleeting innocence of childhood and how special the moments during bedtime are.  It’s a Van Morrison sounding R&B number with soulful backup vocals, adding to the sentimentality of the song.  This one is sure to hit a few sweet spots with its literary references intertwined with fantastic wordplay as Roberts brings us into a scene between mother and child as they decide which story to read at bedtime.  Although I so often look forward to that time of night, anxious to unwind on my own, it’s also the time I cherish the most as my daughter grabs her snuggle blankets, sucks her thumb and curls up in her bed, eagerly awaiting the comfort of a good story.

Lullaby is a stunning album and one that will definitely fulfill its categorical promise as it soothes your beating heart and lulls you and your little one to sleep.  It’s also perfect for those times where everyone needs a little change of pace.  Highly Recommended for ages 0 – 5 but would fare just as well for adults.

I had the privilege of interviewing Justin regarding his approach to Lullaby which you can read here.

Below you can listen to “Polar Bear,” “Nothing On You” and “Easier To Do.”  Lullaby is available for purchase and digital download at all media outlets, including Amazon and Roberts’ Merchandise page.  Also worthy of checking out are books and illustrations by the exceptionally talented Alison Jay who designed the packaging for Lullaby.

Singled out: “Untangling the Christmas Lights” – Brady Rymer

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Parents’ Choice Gold Award winner and Grammy nominee, Brady Rymer, delivers the perfect song to officially kick off the holiday season. “Untangling the Christmas Lights,” with its Rock n’ Roll rootsy sound, is a great song that many will surely relate to. And check out the beautiful artwork (above) that goes with it.  The vintage style of the colors and the layout of the images adds a warm, cozy feeling to an otherwise uncomfortable situation.

I love Brady’s commentary on the idea for the song:

“Every Christmas it’s the same… I lug out the boxes of Christmas tree lights thinking that I finally got smart last year and packed them up carefully, in a way that would make it easy to trim the tree. But, of course, once I open the box and get to trimmin’, it’s a chaotic, knotted, spaghetti of a mess! How’d it get this way? What have they been up to in that box all year long?”

I couldn’t agree more! Every year I tell myself ‘this time will be different,’ as I approach the box labeled “Xmas.” Proceeding with caution, I reach in, ready to delicately slip the lights right out of their cardboard cocoon and begin the tangle-free unfolding only to find my efforts squashed by a tangled web. How does that happen? I suppose unlocking this mystery might also solve the mystery of how socks get lost in the dryer. In the meantime, it’s good to have a friend to relate to! Thanks, Brady!

Brady is also featured on  A Laurie Berkner Christmas where he adds his warm voice to the wonderful sounds of “Children Go Where I Send Thee.”  Brady has been a big part of our rotation for several years now.  Not only is Brady a great musician but he also writes and performs for good causes.  His release Love Me For Who I Am, an album inspired by children affected by autism, Asperger’s Syndrome and related disorders, earned him Gold awards from the Parents’ Choice Foundation and NAPPA.  Proceeds from the album are donated to Autism Speaks.

Check out my review of Brady’s 2014 release Just Say Hi, as well as some of his other works at his official site.

Editor’s note: This post was originally published on Dec 5, 2012 but because of how relevant it still is and will continue to be, I am declaring it a seasonal favorite!

Check This Out: Big Bang Boom: Because I Said So!

Because I Said So!, the third release from North Carolina’s Big Bang Boom, is a real family jam party. This high energy album is packed with a dynamic blend of styles from good ole rock n’ roll to hip hop and even a bit of funk.

Big Bang Boom is made up of a trio of Dads, including Steve Williard, Eddie Walker and Chuck Folds, brother of Ben Folds (yep, as in Ben Folds Five). Because I Said So! feels like an introduction to college rock for tots. But make no mistake, the music is meant to appeal to a broad range of ages, including adults. And it certainly does! I can’t help but reminisce on my college days while listening to their catchy choruses and thought-provoking verses.

Because I Said So! delivers an enjoyable bunch of songs that address the deeper meaning of parent-child relationships and family dynamics. As fathers themselves, these guys write thoughtful lyrics based on their own experiences, as opposed to writing generic songs that simply fit the mold of being a band that makes music for kids. Their songs put the role of “kid” front and center, and it is that “kid” who sings about and responds to interactions with his or her parents. The scenarios are so relatable, it’s uncanny. There are several Seinfeld moments where I laugh out loud while listening to real-life scenarios throughout the album. Although, I can’t help but feel as though I am being taught a lesson, as well. Not in a preachy way, but in a way that makes me think more about how my own daughter experiences life through her little eyes and ears.

One of our favorite songs, “Make Me,” appeals to the idea that kids make mistakes but also seek to understand why there are rules and consequences. The song is so upbeat and catchy that you can’t help but get excited when you hear it. You can view the video below, as well as read my earlier post here.

Oftentimes it feels as though the sound and tempo of a song seem to match the message being expressed by either the parent or the child. “Bicycle,” a freewheelin’ (see what I did there) pop track that conveys a sense of pride and joy as a result of facing your fears while mastering a new skill. The verse and following chorus line proudly exclaim “…when I turn around I’m surprised I found/dad/let go of me/I’m rollin’ free/so I roll on and on and on….ridin’ my bicycle.” Every time we play this song, Em either says “This song makes me want to ride my bike!” or “Mom, when can I get a bigger bike to ride on my own?”

The growling intro to “Are We There Yet?” very accurately expresses the frustration often felt on car trips. The call and response style, mixed-in with a little cowbell, feels similar to a Beastie Boys song. “Because I Said So!,” the album’s title track, sounds like a mix between the Ramones and Blink-182 with its pop-punk makeup. The tone of the song accurately matches the discontented feeling a blanket answer like “because I said so” might feel to a kid.

The album also aims to educate with songs like “Green Light,” which lays out the rules of the road in a really fun and easy way. I have always found yellow to be a more difficult color to explain. However, this song ties it all together with the short and sweet catchphrase, “yellow means slow.” In fact, it’s so easy to convey that when my little backseat driver calls out “Mom, you are supposed to stop at yellow!” I am almost too pleased to remind her about this song and then ask, “What does yellow mean?” which is always answered with “Yellow means slow!” Of course, at the mercy of my own guilt, I still find myself launching into a wordy explanation, which almost always results in the snarky retort “Mom, I can’t hear the music.” Ah, parenting….

Other notable songs include, “The Counting Song,” a quick-paced rap which makes a game out of simple math (addition, subtraction) by using your fingers. “Put one finger up that’s all you gotta do/add another finger to the one and that’ll make 2/ take the one away from 2 it’ll leave you just 1 …grab yourself a friend plus you makes 2/ add the 1 and 1 that’s all you gotta do. ….so we added two fingers and we added two friends/added more and more so the counting never ends…” The call and response portions of the song carry a bit of a Sesame Street vibe as the chorus of kids echo back numbers as they are called out.

“Control” offers a bit of advice on impulse control and sibling rivalry while “One” encourages goodwill and a giving heart.

The album ends with “Goodbye,” a sweet little song with some humorous reminders mixed in. Because I Said So! contains 11 tracks with a runtime of 27 minutes which is nice for the shorter attention spans of the younger bunch while leaving the older bunch eager to put the album on repeat. Em and I dig the sounds blasting out of our speakers and we think you will too. Recommended for all ages and then some!

You can listen to samples of the entire album here. The album can be downloaded and purchased through Amazon, iTunes and CDBaby.

Full Disclosure: I was provided with a copy for possible review. All opinions and thoughts expressed here are my own.

Check This Out: Elena Moon Park: Rabbit Days and Dumplings

I have always believed that music breaks down barriers and brings people together.  It allows us to get to know one another more intimately whether it’s on a personal level, local or global scale.  Music also has a way of capturing memories and restoring them.

I was born in the United States, however, my heritage stems from Eastern Europe. My Grandmother made the trek from Europe to America, by boat, with my mother and her two sisters after WWII. Just like many other immigrants who came to America, she was in search of a better way of life.

I grew up in a non-religious household, however, we managed to preserve the traditional aspect of our religion by celebrating major holidays. And with every holiday there was always plenty of songs. Some of the songs were in the spirit of giving thanks for the food we ate and others were related to games we played. Even mystical characters got their own songs. Music played an integral role in bringing us together and helping us to better understand our roots.

I have always loved World Music for its raw expression of the culture it represents and the diverse array of instruments used. Sometimes it is the only window we have into understanding a community of people. And even though I may not always understand the language, I believe the music speaks for itself.

Elena Moon Park, a key player in the Dan Zanes and Friends ensemble, recently released her debut children’s album, Rabbit Days and Dumplings, which also won her a 2012 Parents’ Choice Award. Released through Festival Five Records (a label started by Dan Zanes in 2000), Rabbit Days and Dumplings takes us on a picturesque retreat, delivering a carnival of sounds from East Asia (Korea, Japan, China, Tibet and Taiwan) that have been reinterpreted and translated into a beautiful array of songs. No plane tickets necessary!

Rabbit Days and Dumplings is a personal album built on Park’s exploration of her own cultural roots while also capturing “songs, styles, traditions, languages, instrumentation, stories and feelings.” Park further explains, “It’s a reflection of conversations with friends, learning about the songs they listened to growing up and the songs that linger in their memories.” Park, a Korean-American born in East Tennessee, pays tribute to both sides of her heritage by mixing traditional American folk music with traditional Asian sounds and vocals. Renowned collaborators such as the masterful Wu Man, Jean Cook (a violinist who plays with Elizabeth Mitchell & You Are My Flower), popular Tibetan singer/songwriter Techung, members of Bang on a Can and the Kronos Quartet, to name a few, are featured throughout the album further contributing to the authenticity of the cross-cultural landscape that makes up Rabbit Days and Dumplings.

A majority of the songs are sung in their native tongue, but include enough of the English language, making it accessible to a wider range of listeners. Although, it’s the Asian languages that my 3 year old is most intrigued by and tries to sing along with. Specifically, one of her favorites is, “Si Si Sima,” a Tibetan jump rope song introduced to Park by Techung, who just released his own collection of family music. Before my daughter knew much about the song, she would dance to it while alternately hopping on each foot. Coincidence? Possibly, but the song motivates her to move to the sound as if she is reenacting the experience. We usually end up playing the song 6 or 7 times before she is ready to move on, but each time she hears it she exclaims “Listen to me sing it, Mama!”

The album opens with “Sol Nal,” which prompted the making of Rabbit Days and Dumplings. This joyful song describes the many celebrations that happen around the Korean New Year. It is led by Park’s powerful vocals and backed by some of the members from Dan Zanes and Friends.

Some of our favorite songs, in addition to the aforementioned “Si Si Sima,” include “Diu Diu Deng,” which features Dan Zanes on banjo and a fantastic solo by Wu Man on the pipa (a plucked Chinese string instrument). The song is about a train chugging into a tunnel as droplets of water fall from the ceiling onto the roof of the train. I particularly love the layering of English and Chinese vocals towards the end of the song.

“Poong Nyun Ga,” one of my favorites on the album, features steady drumming from the Korean Traditional Marching Band of New York, trumpets, an accordion, a mandolin and a piri (Korean reed instrument) that mixes perfectly with the joyous crowd of voices that triumphantly sing in hopes of an abundant year (in the name of a plentiful harvest or good luck in general). The vibe of the song is infectious and I can’t help but clap and sing along every time I hear it. Of similar sound is the brassy New Orleans style of “Diu Shou Juan,” a Chinese song that typically accompanies a children’s game called Drop The Flag. Sung in Mandarin and English, “Diu Shou Juan” is an excellent example of Park’s ability to create a beautiful union of Eastern and Western cultures.

Elsewhere, we get to hear Zanes and Park sing together in “Akatombo.” The definition of the title means “red dragonfly” and the song reflects on memories of a past time. It’s a beautiful song in which we get to wholly experience the depth of Park’s gorgeous voice. Paired with Dan Zanes’s soft, signature rasp, the song is quite moving.

Winding down the album, Park also gives a nod to popular Western music with “Summer is Here.” The song’s composition reminds me a little of Neil Diamond’s “Sweet Caroline” for some reason (which, to me, isn’t a bad thing at all). It’s a charming song based on Park’s experience growing up in Tennesee, hiking through the mountains and eating kimbap, a food that resembles sushi. “Tinsagunu Hana” completes the album with an offering of gratitude for all the hard-working parents, including Park’s own, as she sings “…although we number all the stars in the sky we cannot count our parents’ words of advice.” Listening to this and thinking about all that I have learned as a parent myself I can’t help but think, “isn’t that the truth!” Although, I am going to make sure to play this one for my Mother, as well.

I am truly impressed by the work that was put into making the album. Highly recommended for all ages. Rabbit Days and Dumplings is a timeless classic and one that fully supports Park’s strong belief that music has the ability to transcend borders, ages, languages and backgrounds.

The album contains beautiful illustrations by Kristiana Pärn while the liner notes provide snippets of song lyrics, Asian script, phonetic representation and English translation, which makes it fun to follow along. Below is a sampler containing five songs from Rabbit Days and Dumplings. You can also find song lyrics and backgrounds for most songs on the album here.

The album can be purchased from Festival Five Records, as well as the other usual outlets. A portion of the proceeds will be given to DonorsChoose.org to support creative education in our schools.

Full Disclosure: I was given a copy of the album for possible review, however, the opinions and thoughts expressed throughout are my own.