Check this out: Alastair Moock – All Kinds of You and Me

a1194426617_10“You’ve gotta be who you’ve gotta be, a dancing plant or a cat who skis // A boy in a dress, a girl in a tree, you be you, I’ll be me.”
– “It Takes All Kinds,” All Kinds of You and Me

Artists in the kids’ music genre frequently reference two classic albums that inspired them and whose music embodies their same values: Schoolhouse Rock and Free to Be…You and Me. No doubt that both are landmarks, and it’s easy to see why many artists making music for families aspire to carry on the legacy of these albums and uphold the same values and messages.

Understandably, creating a modern day version of such a notable and groundbreaking album like Marlo Thomas’ Free to Be would be quite a feat. However, if anyone were to approach this task, Alastair Moock is the man.  To take on such an epically classic album that has impacted so many people and challenged society’s view of our world takes courage and really the perfect amount of humor and swagger. And I don’t mean swagger like Jagger.  Well, maybe in that way, but we’re talking about the children’s music genre. Think G-rated swagger.

In Free to Be, Thomas very directly spoke to her 1970’s society, proclaiming equality across all conceivable categories. With his latest album, All Kinds of You and Me, Boston-based singer-songwriter Alastair Moock picks up where Thomas left off. Joined by a stellar group of musicians (Rani Arbo of Daisy Mayhem, singer-songwriter Jennifer Kimball, Debbie Lan of Grenadilla, singer-songwriter Samirah Evans and producer Anand Nayak who is also from Daisy Mayhem), Moock gently reminds kids (and adults!) that we should all be free to be who we want to be, without limitations or the borders of stereotypes, and that love is very much a force that drives acceptance. Love of ourselves as well as one another.

Moock is a modern day Woody Guthrie, mixed with a hint of Bob Dylan. You can hear it in his style, in the way he uses music as a guide for justice and most certainly in his clever wit. His gentle voice with its signature rasp lends itself nicely to the Americana sounds of his compositions. Like Dylan, there is poignancy in Moock’s approach but also a deep well of passion for social justice, equality and healing through music.  As with poetry, artists can eloquently articulate in music what might seem heavy-handed, too serious or too awkward in the written or spoken word – especially for a young audience.

Through clever repetition, “My Life is a lot Like Yours” speaks from a child’s perspective and illustrates the normalcy of family life with same-sex parents (two moms/two dads), reinforcing that families might look different but they can still be a solid unit and operate in similar ways to those with a mom and dad at the helm. “You Might Be A Girl” stomps on gender stereotypes by articulating the endless possibilities available to girls today; Samirah Evans’ voice adds so much strength to this empowering song. Like it was written for her (and in a way it was), this song tops my daughter Emily’s favorites list.

Taking on topics and conveying them without preaching is delicate. Moock meets the right criteria with poetically intricate lyrics that are impactful, delightful and accessible to a large audience. His 2014 Grammy-nominated album, Singing Our Way Through: Songs for the World’s Bravest Kids, for example, gave listeners insight into his ability to address sensitive subjects head on; each song reflects his family’s experiences during the time when his daughter Clio (now in remission!) was diagnosed with leukemia. Moock’s capacity is tremendous.

In “I Am Malala,” Moock sings: “I raise up my voice for an equal chance // To live and learn and grow // to be who I want to be and explore // The things I want to know.” Through these words, he reminds us that it takes courage to stand up for who we believe we are. But through that courage we grow and learn how to make a lasting impact.

As I was listening to this album and thinking about an angle for a review, the seemingly ever-present phrase Live Laugh Love came to mind. While I recognize the beauty in this motivational quote, it’s so overused that I typically write it off as just another “Hallmark” greeting.

The thing is, the effect is much more meaningful and profound when I think of the words one by one. Each one makes a bold statement, commanding me to remember to hold onto its important value as I move about my day – as a parent and just as me. All Kinds of You and Me offers the same relief. My personal favorite song, “All in a Day (featuring Anand Nayak),” inspired by Cynthia Rylant’s book of the same name, smoothly underscores this sentiment with encouraging words: “...live it well, make it count // fill it up with you // The day’s all yours, it’s waiting now… // See what you can do.”

Whether we directly speak to our children about justice, acceptance and global love, we prominently place a big Live Laugh Love sign in our homes or we let the music do the talking for us, it’s never too early to incorporate the values woven within All Kinds of You and Me. Just like Guthrie and Dylan, and many others who spoke out so freely and took a stand for change and love, Moock proudly joins the ranks, inspiring future generations to do the same “cuz every life’s a kind of prize.”

All Kinds of You and Me is available through Moock’s official store.

Check out Moock’s video for “It Takes All Kind,” illustrated by Key Wilde, for a visual treat.

TBT: “Free to Be…You and Me”… Then and Now with Jason Didner and Suzi Shelton

FTBYAM Cover 1400x1400

Recently, Jason Didner (of Jason Didner and the Jungle Gym Jam) and Suzi Shelton teamed up to record a cover of the song “Free to Be…You And Me,” which is the title track for an album of the same name. Produced by Marc Bazerman from Baze and His Silly Friends, the sound of this version is very similar to the original with the modern-day addition of the saxophone played by Alyssa Menes. Listening to Didner and Shelton bring this track back to life, I found myself hearing a song from my youth with a more mature ear. I was inspired to dig deeper and upon listening to the full album, I felt a great appreciation for just how revolutionary it was for its time.

42 years ago, the album Free to Be…You and Me was created by actress Marlo Thomas and released into the world based on the notion that children, regardless of gender, should be free to feel and express their feelings, and grow up to be whomever they think they ought to be. It was, in many ways, a benchmark in support of a more gender neutral society. The album was so popular that it’s concept was expanded into a book and later a TV special. Many of the songs on the album touched upon progressive topics for their time (1972), i.e a girl could choose to be a doctor, and a boy could hone his paternal instincts by playing with a (baby) doll. The latter, found in the song “William Wants a Doll” was especially profound. I have never heard or seen anything encouraging boys to play with dolls. It seems so natural to encourage this based on the long-term benefit it could have on them later in life. A provocative assertion, maybe, but quite astounding when I think about it now as a parent. As a whole, the entire album really opened my eyes to how much progress we have made and yet how much more there is to go.

Didner felt the same way about the song when he revisited it recently and shared his thoughts: “Today, 42 years after the song’s original debut, it holds new meaning, celebrating the fact that women have become astronauts and CEO’s, and men have become stay-at-home dads and nurses since then. On a personal level, I celebrate the upbringing I had where I learned that I get to define my manhood on my own terms and that I don’t have to fear anyone’s judgment for painting my daughter’s nails and being a nurturing daddy.”

Didner continues, “When I reconnected with this song, I felt the pull to learn the song and sing it acoustically. The inspiration came quickly that I should record the song with the band and bring on a special guest singer — one whose voice radiates warmth and happiness (ed note: SO TRUE!) — I reached out to Suzi Shelton to sing this as a duet with me. It was only natural to also connect with Suzi’s producer Marc “Baze” Bazerman, a friend of mine from NJ’s kindie scene.

You can hear the original Free to Be…You and Me here through the Spotify widget below followed by the updated single.

You can hear and purchase (name your price!) the “Free to Be…You and Me” single by Jason Didner and Suzi Shelton through the Soundcloud widget below:

Do you remember this song? Has this song influenced you in any way throughout your upbringing or even now as a parent?