Tag Archives: children’s music

Taking the Kid to Work – Guest post by Vered Benhorin of Baby In Tune

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Vered Benhorin of Baby In Tune has been featured here on Kids Can Groove before and it’s always refreshing to hear what she has to say. Her recent album, Hello My Baby, released earlier this year (and winner of a Parents’ Choice Gold Award), still offers a sense of comfort and support for me as a parent. This is in no small part due to the fact that Vered is regularly talking to and listening to what families through her workshops and classes. She also explores her work in her own life as a mom of three.

During the production of Hello My Baby, Vered was pregnant with her third child. This presented her with a unique opportunity that brought a dynamic perspective into her work. In today’s guest post, Vered writes about her experience with her daughter when they traveled across the country to celebrate the release of Hello My Baby. Though the below post largely chronicles her experience with her baby, Vered also touches upon what I grapple with a lot – my identity as a mom, and my identity in a greater sense related to my profession/work and my personal ambitions. It’s a delicate balance and it’s reassuring to know that others feel the same way. Vered is a no BS writer. I love how she shares her thoughts honestly and with a sense of humor, which is an essential tool for parenting.

Visit Baby In Tune to learn more and read additional posts by Vered. If you are in NYC you can find info on how to attend/hold a workshop or class, as well as view videos of her in action.

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Last April I went on a west coast tour. Like a rock star I strapped on my guitar, packed my amp, my microphone, and my cutest dresses. I also packed diapers, a carseat, a stroller, bottles, endless onesies, rattles, snacks, and wipes. A little less like a rockstar I trekked through the halls of the airport wondering what I had done.

I decided to take a 5 month old roadie because leaving her with my husband and two sons was not an option. Somehow it also didn’t seem like an option NOT to do the tour. I had just released my second album for families and wanted to get it out there. But anyone who has a baby knows that while jetlag is an annoyance for grown ups on their own, it is hell on earth with kids.

So every night as we played together in the dark at 3am I kicked myself for being hard-headed, overly motivated, unrealistic. But as we fell back asleep snuggling together in the cold AirBnB bed I held my little portable heater and felt her sweet breath on me, the breath of life itself, and we fell asleep smiling.

As I ran out at the end of shows to nurse her and lugged her carseat from place to place I felt annoyed and exasperated. And as I looked into her eyes and she flashed me a smile between shows I felt energized to do the next, and the next.

For me, having a third baby almost felt like a professional decision. I rationalized that I HAD to have the baby in order to give me material for another album. I had to experience a baby again in order to gather more first hand research for my classes and feel more inspired. I know that sounds a little crazy – having a baby for professional reasons? Normally a baby is nothing but an obstacle.

unnamedI feel lucky that my career has been able to develop with my life choices. As a single woman I wrote about romance and existential angst. As a mom my songs became about my experience as a parent and my perception of how my babies felt. I was also able to implement my studies in music therapy and psychology to help parents and teach them how to use music to bond with their babies. My life as a mom integrates really well with my life as a therapist/musician, but there is no perfect union.

To push my luck, I took my daughter with me to a bunch of workshops that were with babies her age. As a group leader my job is to facilitate discussion, be very aware of the group’s emotions and be able to support them through music. With my baby there at times I felt like I was less available to really listen fully to the group members. And yet at the same time I could identify completely and that helped me bring in the right songs, ideas and exercises for each class. Even in the most seemingly perfect situation the needs of the child conflict with the needs of the job.

photo 1So now that my baby is 10 months old I look back and ask myself – has she actually helped me professionally? I think the answer is the same answer any mom would give. Yes, she has inspired me. She has broadened my perspective in so many ways, and has contributed to my creativity, both as a therapist and a songwriter. But when I am with her I don’t want to be working. I don’t even want to be writing a song. Most of the time I just want to be hanging out, watching her play, following her lead, mirroring her vocals.

Every now and then it all comes together. That’s when she sings with me on the subway on our way to a group, or she inspires a new song (stay tuned for the song about our west coast tour) , or she teaches me something new about what babies need at each age. In those moments I am so happy that I have the chance to take my kid to work and even to make my work about my kid, even if she adds a whole lot more work.

Check this out: Home of Song – Paul Spring

Posted in Album Reviews, Reviews by

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Based out of Minneapolis, Minnesota, singer-songwriter Paul Spring makes his family music debut with the comforting sounds of Home of Song. Produced by Dean Jones and Joe Mailander (half of the Grammy winning duo, The Okee Dokee Brothers), Home of Song is a highly singable collection of songs will inspire a sense of imagination and adventure for listeners of all ages.

The most appealing aspect about Home of Song is Spring’s talent as a songwriter. With passion and enthusiasm, Spring delivers meaningful lyrics with much depth. Whether he is singing about the pouring rain, a beloved story or the cycles of the moon, Spring’s soulful voice shines with sincerity.

In addition to Spring’s ability to write illustrative lyrics, there is an undercurrent of love and appreciation for family that is woven into the fabric of this album. Although I typically don’t like to compare artists in terms of musicality, I find the sentiment behind Home of Song similar to Elizabeth Mitchell’s approach of incorporating family members and friends into her own music making process. Much like Mitchell, Spring is also accompanied by family members and friends who collectively add depth, dimension and meaning to the album’s makeup. Underscoring this point is the metaphorical title track, “Home of Song.” The lyrics, “Oh how often I think that melody was my mother/ rhythm my father/ keeping my steps in line/ and my brothers and sisters filled in the notes between us/ making a harmony to hold through time,” symbolize family unity in a beautiful way.

Spring invites listeners on a humorous stroll down memory lane as he sings about a washed up van from his childhood in “Sloppy Jaloppy.” While kids may not necessarily understand lyrics like “We’ll be going up and down like the Dow Jones and NASDAQ,” adult listeners are certain to smirk in acknowledgment of what feels like an inside joke. I can’t help but recall my own, similar childhood experience in which our old car broke down in the middle of a well traveled highway, interrupting our journey to the beach. As I hear Spring’s words, images from that time flash through my mind like pastel painted Polaroids.

Another lovely aspect of Home of Song is the celebration of nature. Growing up on the banks of the Mississippi provides fodder for songs like the sea-faring “Red Sky at Morning,” which taught us what a crow’s nest is. “Rain,” a refreshing tune that welcomes the pouring rain on a hot summer’s eve, is one that gets heavy rotation in our home. I particularly love the chord progression in the beginning of the song and the delicate accents of the piano as it mimics the sounds of droplets of water. There is also “Mississippi River,” a spelling game that honors the beauty of the river itself. The song has a nice tempo, smoothed out and slow enough for kids to follow along as Spring spells Mississippi letter by letter. Spelling Mississippi is a fun game for my 4 yr old and actually makes her feel quite accomplished as she continues to proudly spell it long after the song is over.

As a bookworm and someone who wanted to be Nancy Drew growing up, I thoroughly enjoy the way Spring enlivens classic works such as Peter Pan, Don Quixote and Sherlock Holmes, highlighting the love, heroism and camaraderie in each. The lyrics “What I read in my books/ I believe is true,” from the song “Don Quixote,” nicely reinforces the value of reading and the excitement it brings.

As much as I’d enjoy it, being the parent of a young child means that I don’t get to sit on the banks of a river, meditate on the beauty of nature or sit and read an exciting story while the afternoon drifts away. Thankfully, my daughter and I have Home of Song, an album that captures the essence of those feelings in a very real and harmonious way. They say home is where the heart is. In Paul Spring’s case, so is song. Highly recommended.

You can listen to samples from Home of Song through SoundCloud widget below. Purchases can be made through Paul Spring’s Official site, CDBaby, Amazon and iTunes. Make sure to check out the very entertaining video for “Peter Pan,” a groovy song which is a tribute to the kid in all of us. The song features Spring, The Okee Dokee Brothers and the Lost Boys.

Sneak Preview: Blue Clouds – Elizabeth Mitchell and You Are My Flower

Posted in Upcoming Release by

Elizabeth Mitchell is on a roll, just coming off of a tribute to Woody Guthrie, and now with an upcoming release in October called “Blue Clouds.”

“Blue Clouds” is another Smithsonian Folkways release and it is sure to be yet another beautifully arranged album.  With some originals, renditions of traditional songs and covers from David Bowie, Van Morrison and even Jimi Hendrix I’d say we’re in for a treat.

Below is a sneak preview of a few songs from the album, which includes the Bowie cover “Kooks”, a rendition of “Froggie Went-A-Courtin” and the title track “Blue Clouds,” a lullaby written by Daniel Littleton (Mitchell’s husband) for their daughter Storey when she was 3 years old.

Sneak Preview – Listen to Selections from Blue Clouds

View This: “Five Little Monkeys” – Story Laurie

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“Five Little Monkeys” is a song from Story Laurie’s most recent album, “Groovin’ In the Garden.” The video portrays Laurie’s take on the classic, beloved tale of those silly little monkeys. The video has the same elements as the book, except in this version the Mama is wearing funky striped socks. Jazzy sounds along with a special appearance by Dean Jones from Dog On Fleas who can be seen helping a monkey play the cuica, as well as, playing a little whistle solo himself make both the video and the song more fun than a barrel of well…you know…

Now that I’ve seen this video I think I’ll go have a little jump on the bed as well. Who says Mamas can’t have fun, too?

Enjoy!
Video Courtesy of [YouTube]

Check This Out: The Harmonica Pocket – Apple Apple

Posted in Album Reviews, Reviews, Video by

Fall is approaching and that means beautiful colors, cozy sweaters and delicious apples. What better way to celebrate the upcoming season than with a new release from The Harmonica Pocket.

Apple Apple, the third children’s release from The Harmonica Pocket, is a melodic dream. The eloquence with which the words and instrumentation flow throughout the album leave you feeling like someone just whispered a gentle lullaby in your ear. It’s very sweet and the stories these songs tell contain simple words and familiar concepts which the wee ones should easily identify with.

The Harmonica Pocket is primarily made up of Keeth Apgar (main vocals, master songwriter, multi-instrumentalist) but also features a regular group of folks, one of which includes partner, Nala Walla, who delivers rich harmonic vocals throughout the album, as well as, fellow Seattle-based Kindiependent artists such as Johnny Bregar (banjo), Jack Foreman from Recess Monkey (bass throughout) and Caspar Babypants (vocals). The recording of this album, as well as their previous albums, took place in a solar powered studio on a tiny island in Puget Sound, Washington.

Many of the songs on Apple Apple are like poems, with each line complementing the one before it. What I particularly love about the album is how it plays with linguistics, character development and timing. The songs are multi-dimensional, containing carefully paired lyrical and musical melodies. The instruments in many of these songs are just as important as the words, often times acting as another voice with the pluck of a chord or the warm, rich tone of the saxophone at just the right time. They even serve to heighten a climatic moment within a song just by a change in time signature. A great example of this is in “Afraid of Heights,” a beautiful song about a bird who comes out of its shell and is afraid to fly. The song starts in 4/4 time and makes a transition to 3/4 time when the bird sees the sky, faces its fears and flies. It’s this simple change that evokes a feeling of exhileration that comes from overcoming your fears, just as the little bird did.

The sentiment behind Apple Apple is somewhat different than the previous, highly acclaimed “Ladybug One” as both Keeth and Nala have become parents. As a result, several of the songs, i.e. “Diaperman,” “Monkey Love,” “Reflections” and “Little Baby,” to name a few, are inspired by this new development. The songs carry a calming, chilled out vibe with some notes of folk, jazz, pop and even some reggae.

Conceptually, there is also this notion of experiencing life “naturally” and having that be the driving force behind the creative process. A great example of this is the smooth, jazzy little song “Bare Feet,” which was inspired by Apgar’s personal experience with climbing trees as a child (and somewhat occasionally as an adult). The song describes kicking off your shoes, climbing a tree with bare feet and observing the feeling of the bark, the wind blowing, as well as, looking with wonder at the birds and the leaves on the trees. I love the lyrics “Kick off my shoes/Pull myself up by my own hands/A breeze blows through/Everything moves and we slow dance/Above me only clear blue sky/So good to be outside/I forget sometimes/That I need to play/Everyday/…And all I need are my bare feet/climbing up to the top of this apple tree.”

In addition to apples, the album covers a variety of topics. There is counting in “I’m Gonna Count” which invites listeners to count stones on the beach by single digits (1, 2, 3), leaves on the trees by even numbers (2, 4, 6, 8) and stars in the sky by 5’s (5, 10, 15, 20…) and syllabic playfulness in the title track “Apple Apple” where each word is broken up and sung with one syllable. It’s a great game to play with the actual lyrics of the song, but also in making up your own words. It’s always good for a few laughs.

Em particularly gets a kick out of the baby tooting in “Little Baby” and laughs with a slight squeal after waiting for it. She knows it’s coming and waits in anticipation with a smile, repeating “just wait, it’s comin’ up, it’s comin’ up, the baby’s gonna toot!” until she hears it.

Other notable songs include one of our favorites “Monkey Love,” features Caspar Babypants as Monkey two. The song basically uses the word Monkey repetitiously to tell the tale of three monkeys who come together and become a family. “Monkey one Monkey two Monkey three/Monkey me Monkey he Monkey she/ Monkey love Monkey we Monkey be family….” “Turkey in the Straw,” one of my personal favorites, is a slowed down rendition of the original with a funky kind of groove.

Rounding out the album are some slower songs which make perfect lullabies and embody the love that Apple Apple was premised on. ‘Reflections,’ for example, was written while Keeth was out walking with his son, sometimes in the middle of the night or early in the morning, to help him fall asleep. I think most parents should either relate to or remember this very vividly.

Apgar, along with the rest of The Harmonica Pocket contingent, create a rich environment that carries the message of love, acceptance, wonder and respect for the world around us. Apple Apple is sure to be enjoyed by the 0 – 5 crowd and their grown-ups. Without a doubt one of our favorite albums of the year so far. I encourage all of you to tempt your palate and take a bite out of this record. It will absolutely satisfy your “aural” taste buds.

Copies of the album are available at CDbaby.com and KidzMusic.com. Individual songs and album downloads can be found at the aforementioned sites as well as iTunes, Amazon.com, Rhapsody.com, eMusic, Spotify and many other digital download stores.

You can also “look inside” the album here, find lyrics and read about the songs’ stories here. Highly Recommended.

Below you will find a clip for the reggae influenced “Happy Mother’s Day,” as well as, a video for the silly yet heroic tale of “Diaperman.”

“Happy Mother’s Day”

Diaperman [courtesy of YouTube]

Full Disclosure: I received a copy of the album for possible review. The thoughts and opinions expressed in this review are based solely on my honest opinion.

Family Music Show featuring Randy Kaplan and Orange Sherbet

Posted in Concerts by

The first concert I am hosting in the hopes to increase awareness and bring awesome music to families in the Bay Area of California.  Event details below and you can purchase tickets here or by clicking on the flyer in the sidebar.  Details are below for those who have not already been introduced to these amazing artists.

The main act will feature Randy Kaplan, recently listed by People Magazine in their “8 Cool Kids Albums Now!” piece (in the August 6, 20120 issue) for his new album, “Mr. Diddie Wah Didde.” Randy is a Los Angeles stage and film actor, poet, and acclaimed singer and songwriter who blends American Roots, Country Blues, and Comedic Storytelling in his songs for children and their families. He fingerpicks his way through unpredictable live shows which, in addition to original compositions, include Tin Pan Alley gems, Broadway numbers, Delta Blues songs, and Ragtime tunes. He has toured throughout the US and released four children’s CDs, one of which, his third release “The Kids Are All Id,” won top honors from NAPPA, their Gold Award, and was voted a Top Five CD in the Nickelodeon Parents’ Picks Awards. You can listen to clips from “Mr. Diddie Wah Diddie” here, as well as, view a video of “Ice Cream Man” from the same release at the Kids Can Groove website here.

Orange Sherbert BandThe opening act is an award winning Bay Area group by the name of Orange Sherbet who is comprised of 3 talented musicians, 2 of which (Jill and Steve Pierce) will play at the show.  Jill and Steve are also known for their exciting and highly popular music classes and camps through Mary Ann Hall’s Music For Children program.  Orange Sherbet’s new CD Delicious is a tasty, jazzed-up, seventeen-song musical celebration of the joys of growing, preparing, and enjoying nourishing, delicious, local, seasonal meals.  Time Out Chicago recently had this to say about Delicious “……miraculously blended the nearly impossible olio of educational messaging, dazzling musicianship and clever songwriting.”  You can view a video of “Springtime,” listen to audio clips, learn more about the band and get information on classes here.

So come on out and get your groove on!

Check It Out: Elizabeth Mitchell – Little Seed: Songs for Children by Woody Guthrie

Posted in Album Reviews, Reviews, Video by

July 14, 2012 marked the 100th anniversary of Woody Guthrie’s birthday and just a few days before that Smithsonian Folkways released ”Little Seed: Songs for Children by Woody Guthrie” by Elizabeth Mitchell, the only CD of Guthrie’s children’s songs coinciding with the Woody Guthrie Centennial. This is Mitchell’s third release from the Smithsonian Folkways label and her sixth children’s album to date. “Little Seed” is a mix of 8 previously released tracks and 5 newly-recorded tracks by Mitchell which sound great laid out on one album together.

The songs covered on “Little Seed” stem from two of Woody Guthrie’s children’s albums, recorded in 1947, called “Songs to Grow on for Mother and Child” and “Nursery Days.” Like Guthrie, Mitchell is a folk frontrunner and icon in her own right, being the first female artist signed to the Smithsonian Folkways label and certainly one of the most beloved artists within the kid’s music scene. So it is with little surprise that Elizabeth Mitchell released a children’s album in celebration of Woody Guthrie’s life. And, while all of her music in the last 10+ years has been directed towards children and families, her sound is highly portable and could very well crossover into the adult arena without a snicker or sneer.

In comparison to the otherwise dusty recordings of the Guthrie originals, Mitchell brings color and life to her re-imagined versions on “Little Seed.” Not to mention she very easily glides through some complex tongue-twisting lyrics, which happen to remind me of a few Dr. Seuss books, making it even easier to follow along than some of the originals. Mitchell’s voice is soothing and clear like a serene lake and refreshing like a cold glass of water on a hot day.

“Little Seed” contains regularly covered classics like “Riding In My Car” which features Mitchell’s niece’s sweet little voice singing along and laughing about a frog riding in a car, and “Bling Blang” which is brought to life by the upbeat rhythm of some chest thumps and knee slaps. There is also an ode to the wonderment with which a child experiences while riding on a carousel in “Merry Go Round” which personifies the experience of riding a pony and reels us into the innocence and wonder of a child’s imagination. The lyrics so sweetly and vividly bring the pony to life as Mitchell sings /come lets rub the ponies hair…/now let’s climb on the ponies back…/pick up my reins and buckle my straps…/it’s faster now my pony runs/up to the mooon and down to the sun/my pony runs to the music and drums/around and around and around/now he runs as fast as the wind and gallops and trots and dances a jig/ my pony is tired and wants to slow down/around and around and around.

Mitchell is not alone in the arrangement and production of this album. As in previous albums, her daughter Storey and her husband Daniel Littleton join in with additional vocals and instrumentation. I particularly like the dimension Littleton’s voice adds on “Why Oh Why” and his guitar solo on “Who’s My Pretty Baby,” which happens to be a beloved Elizabeth Mitchell classic in our home.

Additional artists like Dean Jones from Dog On Fleas, as well as Clem Waldmann, a recognized percussionist from Blue Man Group and his wife Kristen Jacobsen also join in broadening the depth of the sound, further bringing Guthrie’s songs to life. The addition of the the balafon, played by Dean Jones, and the flute played by Clem’s wife Kristen Jacobsen in “Sleep Eye,” one of my favorites on this album, brings a playful element to the song. Also notable is Clem Waldmann’s percussive accompaniment on “Rattle my Rattle” which is funky and adds more space to the updated version; whereas Guthrie’s version feels slightly more rushed in order to keep up with the complexity of his own words and much like a baby shaking a rattle.

“Little Seed” was a sentimental project for Mitchell as the discovery of Guthrie’s children’s album “Songs to Grow On for Mother and Child” is what inspired her to start making music for children. She has done an excellent job of capturing Woody’s sweet, loving and sensitive side in her celebration of his life.

The album is 29 minutes long, available for purchase or download through Amazon and is packaged with 20 pages of liner notes containing snippets of lyrics and beautiful photos of Mitchell and her family; it’s a beautiful keepsake for already devoted fans, as well as, newcomers. The booklet also contains a bit of historical fact and references for literary works that have been published on Woody, as well as the song “This Land Is Your Land.” Mitchell not only includes this song on the album, even though it was not intended to be a children’s song when Woody first wrote it, but makes a point of singing three verses that are often left out in more recent versions of the song.

Should you wish to download the album and liner notes, you can find them at the Smithsonian Folkways website, which also offers the option to buy the CD. Either way, it’s an excellent sampler which will invite your family into the beautiful world Mitchell creates through her music. These are classic little ballads that should be passed down (and most likely will be) through generations, as Woody’s songs have thus far.

Recommended for ages 0 – 5, however, older ones will most likely enjoy trying to keep up with Mitchell as she sings some of the quick repetitive verses.

Below is a video released a while ago created for an HBO animated family series.

Grassy Grass Grass [courtesy of YouTube]